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Mail & Guardian
Kwanele Sosibo

Creator

Kwanele Sosibo

Kwanele Sosibo is the editor of Friday, the arts and culture section of the Mail and Guardian.

Take a bow: Siya Charles, winner of this year’s Standard Bank Young Artist Award for Jazz performs on stage. Photo: Mark Wessels

Art, politics and integrity: The Standard Bank Young Artist Award then and now

Ahead of the Standard Bank Joy of Jazz, Kwanele Sosibo interviews this year’s music and jazz SBYA winners for their reflections on the history and meaning of the awards

Infighting has plagued the NFP since the death of founder Zanele Magwaza-Msibi in 2021.
(Photo by Gallo Images /Sowetan / Mohau Mofokeng)

FROM THE ARCHIVES | Elections 2014: KwaZulu-Natal’s problem is still political bias

Jabu Mncwango supports the National Freedom Party, which is competing in the national elections for the first time after splitting from the Inkatha Freedom Party in 2011

Gifted: Allen Kwela began his musical journey with kwela (his surname is a coincidence) before shifting into jazz. Photo: Drum Magazine

Tugging at the heart of Allen Kwela

The rerelease of the 1975 album by the jazz guitarist calls attention to this talented musician

Lucky Michaels (right), businessman and owner of the iconic Club Pelican, pictured with some of the patrons. (Photo courtesy of Arena Holdings)

Pelican fantasy: How the iconic Soweto club influenced South African music

A nighttime haunt in the backstreets of Orlando run by a well-known bootlegger should have been a prime zone for nefarious underworld activities. Instead, it nurtured an…

Riddim twin: ‘I am Robbie Shakespeare, the other half of Sly Dunbar,’ the bassist told GM from Evenstad Music on YouTube. Photo: David Corio/Redferns
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Robbie Shakespeare: A manipulator of space and sound

A master of a sparse, propulsive style, Robbie Shakespeare’s bass spoke volumes

UNITED KINGDOM – JUNE 18:  GLASTONBURY FESTIVAL  Photo of Robbie SHAKESPEARE and SLY & ROBBIE, Robbie Shakespeare backstage at the festival  (Photo by David Corio/Redferns)
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Robbie Shakespeare: A silence louder than a bomb

A master of feel, Robbie Shakespeare’s bass spoke through the silence

Off-kilter: Sam Nhlengethwa’s My Grandmother’s Kitchen in the 60’s

The bleak shelter of Yellow Shade

Dimakatso Sedite’s poems emerge from the shattered futures of South Africa’s townships

A sprawling album: Herbie Tsoaeli’s At This Point In Time: Voices in Volumes has enough to keep a listener engaged for ages. (Photo: Lindokuhle Mbhele)

Bra Herbie’s instinctive time travels

Jazz is the winner as Herbie Tsoaeli updates his explorations of time in his new album

Flying low: Team Numbi’s Muzi Thubane teases the tar in a moved dubbed “the suicide” at the Vaal Spin Fest in Masiza Stadium in 2018. (Leelo Booysens/Sweet Life Media)

Spinning into control

Original Creative Breed’s new documentary tracks the trajectory of the underground automotive sport

Detonation: Koleka Putuma’s words breathe easily as the poet delivers them on stage, dressed in a white spacesuit and matching sunglasses. (Manyano Media)

Hullo, Bu-Bye, Koko, Come In shapeshifts into another dimension

Koleka Putuma’s triumphant adaptation allows audience to see stagecraft influence poetry

Kukithi la: The inheritance of a house in the absence of a will a can leave heirs fighting each other to the bitter end. Photo: Thato Monare

The many faces of death

The grief of others can ease our pain in these calamitous times

‘Generosity and genius’: For Jabba, aka Hip Hop Pantsula and HHP, music was a gateway to the world. (David Harrison)

Revisiting Planet Jabba

For a man to whom music was a mission, the local industry ultimately proved too narrow

Wake-up call: Mandla Sibeko, entrepreneur and founding director of FNB Art Joburg. (Photo: Andy Mkosi)

Open City: The art of invading Jo’burg

FNB Art Joburg director Mandla Sibeko speaks to Kwanele Sosibo about this year’s Open City, during which unlikely spots are turned into art spaces

Buy-in: Isaac Mutant was an active participant in the making of the documentary Mutant. (Photo: Chris Kets)
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Inside the head of a Mutant

A film more about an entire culture than one man’s place in it, Mutant gives new meaning to the phrase ‘bigger than hip-hop’

Orgasmic State, 2021 (Oil and acrylic on Fabriano, digitally printed on cotton rag)

Aftermath: Bilious fumes and heavenly skies

Khubu Zulu wanted a way to deal with PTSD and landed on an accidental practice

Director Jannous Nkululeko Aukema describes protagonist Paul Mwase as having a ‘rhythmic life’, albeit one of ‘long pauses and fast-paced interjections’

Deliver Me from waiting

Confined to demarcated spaces, delivery bike rider Paul Mwase has few moments of release. Deliver Me captures this liminality with beauty and empathy

Men armed with crude weapons on the outskirts of Ramaphosa in 2008, shortly before they gave chase to several men who appeared to evade the attack by hiding in nearby mine dumps. (James Oatway)

[BR]OTHER: Xenophobia born of dreams deferred

A new book of images and essays about the Afrophobic violence in South Africa attempts to take the narrative forward

Trumpeter Robin Fassie (centre) is also a hands-on producer and tends towards sparse use of his instrument on the album. (Photo: Earl Abrahams)

NLite bring supple musicality for their self-titled debut

Cascading between moods and styles, the nine tracks on NLite’s album offer a lightness of spirit

Lovers Rock leads Franklyn (Michael Ward) and Martha (Amarah-Jae St Aubyn) provide a narrative anchor to the film (BBC Studios)

Review: The eternal splendour of ‘Lovers Rock’

Steve McQueen’s ‘Lovers Rock’, part of the ‘Small Axe’ anthology, is an ethereal interlude that takes us inside the blues party bubble

Colourful exploration: In Power to the Purple, Khulekani Mayisa aims to marry the two art forms she loves: writing and film. (Paul Botes/M&G)

Khulekani Mayisa: Poetry in the polemic

Khulekani Mayisa’s new film, Power to the Purple, is an intensely personal collaborative project