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Twelve women curators speak of the challenges of being top decision-makers in South Africa’s art world.
Luxury shopping at the V&A’s Watershed and Zeitz Museum is not about price tags but rather authenticity and limited editions.
Clicktivism – can logging into a website and adding your name to a petition really change the world of art?
Guerilla art group Tokolos Stencil Collective poses dirty challenges to audiences and the art gallery.
A machine that is “definitely not the most efficient way to dispense coffee beans into packages” has been unveiled at the Truth HQ in Cape Town.
India Baird is a human rights lawyer who has taken the bench out of the courtroom and installed it in public spaces to create safe areas for women.
Incognito, he uses South Africa’s streets as his canvas – but his path to renown was international.
Jules Mercer spares no expense in curating her marvellous feasts in the most unlikely venues.
Leanie van der Vyver says her designs are a reaction to the things that bother her about modern society.
There was no shortage of beautiful things at this year’s Design Indaba Expo.
Woodstock is the go-to place for creatives who don’t have money to set up shop in the City Bowl.
The new Cape Town exhibition from a cult artists’ collective delves into Africa’s war-torn history.
Having showed across the world for the past 15 years, the blockbuster Body Worlds exhibition has now berthed in Cape Town.
A man-made rainbow, comprising simply sunlight and water, has popped up in Cape Town.
The Spier ‘Secret’ Festival is trading on the current obsession to experience something others can’t.
Nadine Botha recounts her day at the Cobern Pansexual Street Fair in De Waterkant, Cape Town, in what is left of the somewhat decimated "gay village".
From roach coaches to taco trucks to upmarket lunches, the gourmet food truck is all grown up and it has come, writes Nadine Botha.
Where does an independent curator fit into a South African art landscape that is split between commercial galleries and archival museums?
Clare Butcher believes that "the root of the word curate is to care".
To this writer, comparing the creating of art to giving birth smacks of pre-modernist religious romanticism and teenage art angst.
