A lush, all-in-one Rosebank precinct where food, art, fashion and green space come together to turn everyday city life into a slow, walkable experience
Liza Essers reflects on Goodman Gallery’s legacy, its global ambitions and the challenges of sustaining a space for art, conversation and community
Boitumelo Diseko has married her love of art and business by opening the B Artworks Gallery
‘Of Blood, Sweat and Data’, on show as part of FNB Art Joburg’s Open City programme, hopes to alter the way art lovers view Johannesburg — and photography
FNB Art Joburg director Mandla Sibeko speaks to Kwanele Sosibo about this year’s Open City, during which unlikely spots are turned into art spaces
The new Joburg Contemporary Art Foundation compels visitors to contemplate and luxuriate in art, writes Mary Corrigall
A survey of Jackson Hlungwani’s practice presents a transcendental experience, even for non-believers
During the lockdown, artists must rethink their place in the system. Now is the chance to advocate and appreciate the human condition of being constantly and chaotically in flux
There’s no Table Mountain in Jozi, but there are amazing art spaces
Dorothee Kreutzfeldt’s exhibition shows art and galleries can be part of the urban landscape
Gabi Ngcobo’s speciality is to contribute to global discussions about how best to curate art.
The exhibition shows that African-American no longer speaks to one specific group.
A new "curated neighbourhood" in Rosebank, Johannesburg, is on the block but this "safe space" is certainly not inclusive.
The work created by ceramist Nic Sithole for the Adelaide Tambo Collection is something to behold.
A ruined Soviet-era restaurant in Gorky Park, Moscow, is set to become the unlikely new home for one of Russia’s hippest arts centres.
A new museum will add to the foundation’s growing stable of contemporary art spaces around the world.
The theft of valuable bronze works from the Johannesburg Art Gallery has raised issues of security and funding in South Africa’s public galleries.
British artist Damien Hirst, who broke the mould by putting sharks in formaldehyde, has turned his attention to revolutionising the art market.
The fabled world of a mystical brotherhood comes alive at a Jo’burg gallery, writes Matthew Krouse.
