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gqomlatest news & developments
While it is true that “too many young people struggle to find their first job” (SONA), imposing  the primary responsibility on young people to ‘do better’, by completing well-meaning programmes designed by adults who know what is best, absolves institutions of the responsibility to re-think their assumptions, approaches, and programming to more effectively address structural challenges. (Oupa Nkosi)

“Inactive” youth, Sona’s panacea of digital skills and missed creative opportunities

If a commitment to youth-led initiative is to be taken seriously, it is imperative to include youth in decision making on where to direct investment, how to design curricula for…

Trip to New York: DJ Lag, who hails from Durban, says recording bests for Beyoncé was ‘surreal’. Photo: Courtesy Mixmag

Dj Lag: Music was my ticket to the world

DJ Lag, also known as the King of Gqom, has grown from strength to strength in his career

Hopeful moment: HHP performing at Back To The City in 2016. ‘What we saw on stage was a man seemingly winning the war; making progress in pulling himself out of the depressive abyss,’ writes Sabelo Mkhabela. (Sabelo Mkhabela)

The Portfolio: HHP’s silver lining at Back To The City

Jabba’s Back To The City performance in 2016 was a late-career triumph for the visionary MC, but its promise would prove elusive

The mental health of all those back at school are at stake. (Sachin Aurakeasamy)

How Busiswa’s conversational story “wrote itself”

Busiswa: An Unbreakable Story unfolds like a conversation between Busiswa and the viewer.

Champagne showcase: A video still from Monate Mpolaye by DJ Sumbody. The visuals reflect expensive lifestyles, which are characterised by money, cigars, alcohol and scores of women

The soundtrack to Dezemba

Every year people talk about the ‘song of the summer’, but it is so much more than that

Ambitious: DJ Lag has come a long way from the boy who learnt to mix as an apprentice in Clermont and is on a mission to explore the transmutability of gqom to other sounds around the world. Photo: Jono Ferreira

DJ Lag: The gqom whisperer comes home

DJ Lag’s mission is still to explore the transmutability of gqom to other sounds around the world.

On fleek: Pared-down but socially conscious lyrics have become Busiswa’s trademark. She performed at the 10th annual Feather Awards highlighting queer issues in Jozi two weeks ago. Photo: Frennie Shivambu/Gallo Images

Queen of the beat just gets louder and louder

Party-diva Busiswa is a powerful mix of poetry and music, but the club celebration touches on sensitive issues

New wave: Emo Kid is an IT geek from KwaZulu-Natal who is problematising the move towards a mainstream sound in gqom. Photo: Tommaso Cassinis x Crudo Volta

The muted thump of Gqom Nation

The genre is morphing from its roots in house into a mash-up, as artists try new ways to get released

Unstoppable momentum: Artchild says the beat dictates what her body should do — and it makes some pretty amazing moves.

Expanding gqom’s visual palette

Dancer Artchild’s colourful presence in music videos is just the first step in her expanding career

Queer and femme voices like Mx Blouse are also incorporating elements of kwaito into their sound. The wide range of artists inspired by kwaito speaks to the genre’s enduring legacy.

Mx Blouse and the new-age genre-busters

From the fringes, a different breed of musicians is disrupting established norms

Man with the Midas touch: Maphorisa’s talents aren’t restricted to gqom

Surfing the Gqom Wave to oblivion

Not just a genre, gqom is not being recognised in the industry as the cultural movement that it is

FAKA’s new EP Amaqhawe

Welcome to the self-love club

FAKA is introducing gqom — most at home on Durban’s dance floors — to a new transgressive set

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​Babes Wodumo: The queen of gqom with dololo cares

She has no concerns but – as the new ‘Mercedes’ single suggests – the celebrity trap awaits her.

Bhizer

Bhizer adds more ingredients to his gqom mix

Will gqom’s precarious position in the kwaito food chain get the better of Bhizer?

Slaves to the rhythm: Inanda clubbers enjoy the music specially tailored to the drug of choice for some of them; others will perhaps ‘top up’ so they can party the entire weekend away.

Qoh and gqom: Music and ecstasy mix in Durban

Inanda has evolved its own nihilistic ecstasy scene, complete with a loopy music genre.