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South Africans were quick to seize on their international success

Making myths out of music

After its run on America’s Got Talent, the Ndlovu Youth Choir became a symbol of unity. But its genesis points to South Africa’s deep inequality

Tomasz Kot plays Wiktor in Pawel Pawlikowski’s Cold War (Supplied)

The European Film Festival highlights how people respond to the disruptive changes

In this interview film festival director Peter Rorvik sheds light on his curatorial vision and some of the themes emerging from the festival.

Former combatants: From left, Z Mtwazi (Bra Tiger), Lulama Kabane (George Naledi), Velaphi Mavela Mabuza (Dick Boyce). (Tshepiso Mabula)

Bringing the hidden to light

Tshepiso Mabula’s photographs interrogate the postapartheid ritual of exhumation and reburial

Patriot games: Burna Boy and AKA have had a number of hits together, however their relationship has soured over a series of tweets. (Frennie Shivambu/Gallo Images)

Who is the real revolutionary?

In the days of social media, which can amplify storms in tea cups for retweets from a ‘followers’, it is easy to assume the mantle of ‘leadership’

Toni Morrison in ‘Toni Morrison: The Pieces I Am’ a Magnolia Pictures release. (©Timothy Greenfield-Sanders / Courtesy of Magnolia Pictures)
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The intimacy of Toni Morrison

A new documentary examines the ‘Beloved’ author’s wider political and artistic signficance

The concurrent shows represent the creative legacy of David Koloane by respectively foregrounding his work and persona

David Koloane: Stylistic journeyman and complex persona

Two exhibitions across downtown Jo’burg force a slower look at the famed artist’s work

In honour of the lessons she learned from Hugh Masekela, Thandiswa Mazwai will take to the stage with his band at the Hugh Masekela Heritage Festival (Oupa Nkosi)

Thandiswa takes a walk in Bra Hugh’s shoes

Thandiswa Mazwai speaks about her memories of playing with the trumpeter and what fans can expect from her collaboration with his band

Faniswa Yisa forms part of the chorus of noise in the Wall of Tools Ensemble. (Supplied)

Creativity at work at The Centre for the Less Good Idea

The centre’s sixth season examines the concept of work through the eyes of artists working in different mediums

After a tour of the Eastern Cape

Where are Eastern Cape’s black entrepreneurs?

Proudly South African trip took journalists to companies creating jobs – but they’re white-owned

In print: Vatiswa Ndara appealed to the arts minister. (Frennie Shivambu/Gallo Images)

‘Lobbyists stall arts’ new dawn’

Activists believe the president is under pressure from corporates not to sign two Bills that would benefit artists

AC Unpacked participants have lunch at Veld and Sea in Cape Point(Supplied)

Don’t let the botanicals go to your head

A well-tailored punt gets a pleb out of Brixton in Johannesburg and shows him the sights, smells and tastes of the various larney silos in Cape Town

Humanity unadorned: In their latest release, BLK JKS use their experimental sound in conjunction with Morena Leraba’s idiosyncratic artistry to explore themes pertaining to African identity. (Brett Rubin)

BLK JKS find life after robots

Their single blends Leraba’s famo vocals and nostalgic memories of the 2011 Hifa festival

The other Goliath trips up but dusts himself off
 (Photo Archive)

The other Goliath trips up but dusts himself off

In a country still smouldering from its self-immolation, how does a comedian stick to the ideals of his craft, which demand he speaks his truth

Life/death/life: Cion: Requiem of Ravel’s Boléro includes members of the Vuyani Dance Company and is choreographed by Gregory Maqoma, for whom the repetition in Boléro invokes a sense of a procession . (Delwyn Verasamy & John Hogg)

A requiem for the world’s dead

Gregory Maqoma revives a Zakes Mda character, mixing Ravel’s Boléro with isicathamiya to mourn, to hope, and to celebrate life

A scene from ‘No Easter Sunday For Queers’, which runs at the Market Theatre until August 25 (Paul Botes/ M&G)
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Koleka Putuma’s Christian/ queer collision

The searing play No Easter Sunday For Queers tackles homophobic violence with a new langauge

Man of the street: Mandisi Dyantyis in Salt River, Cape Town. The vocalist, trumpeter, and musical director uses rising fame to comment on South Africa’s sociological problems. (David Harrison/ M&G)
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Almighty talent of Dyantyis

The musician has an electric stage presence, but his studio album Somandla captures that same spirit

(Cassaca Shorts)

Lagos: The long and short of it

The short stories in Nights of the Creaking Bed by Toni Kan explore, among other topics, sexual behaviour as a source of power in society

BLACK ROCKS #1, between Calvinia and Williston, Northern Cape. Taken from “Hemelliggaam or The Attempt To Be Here Now” (Tommaso Fiscaletti and Nic Grobler)

“The earth is full of heavenly bodies everywhere”

In this interview Tommaso Fiscaletti and Nic Grobler’s speak about the inspiration for the project and how it continues to evolve.

Star gazing: Presenter Ofentse Letebele is translating the format of some of the old planetarium shows for the new digital dome system at the Iziko Planetarium in Cape Town. (Hemelliggaam or The Attempt To Be Here Now)

More things in heaven and on Earth than are dreamt of

Hemelliggaam or the Attempt To Be Here Now, makes connections between the environment, astronomy and old Afrikaans science fiction novels

Trailblazer: Ndikho Xaba explored new horizons within jazz and indigenuos music. (Courtesy of Nomusa Xaba)

Unruly native till the end

The jazz maestro was an activist first and foremost, and created his own unique instruments and style